22,663 Royalty-Free Audio Tracks for "Arrangements Of Music Composed By Johann Sebastian Bach"

Italiano: Uno dei possibili brani ottenibili con il sistema descritto da C.P.E. Bach nel 1757. Come contrappunto doppio all'ottava, è riprodotto anche il brano ottenuto dall'inversione delle voci.

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.

Bach, Carl Philipp Emanuel: Solfeggietto, Wq.117.1 / H.220

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5. Bahasa Melayu: Contoh ton dengung (pedal tone). Fail asal wiki:en ialah Domain Awam, calon Wiki Commons. Diubah daripada format mid ke ogg.

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5.

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

Tritsch-Tratsch-Polka: Transkription für Klavier Italiano: Johann Strauss Jr: «Tritsch-Tratsch-Polka». Trascrizione per pianoforte dell'utente Pracchia-78. Eseguito al sintetizzatore con un banco audio piano Steinway (28,4 MB), articolazione: Steinway Grand.

Wiener Blut, a waltz by Johann Strauss II

Das Akkordeonorchester Hof spielt die Tritsch-Tratsch Polka von Johann Strauss (Sohn) auf dem Jahreskonzert des Akkordeonorchesters Hof am 08.05.2010 in der Göstrahalle Köditz unter der Leitung von Torsten Petzold. Weitere Informationen: http://www.akkordeonorchester-hof.org

Das Akkordeonorchester Hof spielt die Tritsch-Tratsch Polka von Johann Strauss (Sohn) auf dem Jahreskonzert des Akkordeonorchesters Hof am 08.05.2010 in der Göstrahalle Köditz unter der Leitung von Torsten Petzold. Weitere Informationen: http://www.akkordeonorchester-hof.org

Nederlands: Midifile van het rondo in Es-dur, H.288, van C.P.E. Bach. MIDI version of Rondo in E-flat major, H.288, by C.P.E. Bach. MIDI Aufnahme, Rondo in Es-dur, H.288, von C.P.E. Bach.

An Artist's Life waltz by Strauss

32 Variations in C minor, WoO 80.

Adagio aus Carl Phillip Emanuel Bachs Klaviersonate in F-Dur

Schumann, Sechs Fugen for organ, Op. 60, No. 5, mm. 1-4. Created by Hyacinth (talk) 00:19, 18 April 2010 using Sibelius 5.

Straus Waltz Medley performed by The US Air Force Strings

Johann Strauss II's overture to the opera The Gypsy Baron, played by the U.S. Marine Band for the album Overtures.

King Champagne from Die Fledermaus by Johann Strauss II performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 16 from Wintertime (1999).

Johann Sebastian Bach, Aria, Goldberg-Variationen, well temperament (Werckmeister III), Digitised Harpsichord (Yamaha Clavinova CLP-470) with ambient sound Johann Sebastian Bach, Aria, Goldberg-Variationen, wohltemperierte Stimmung (Werckmeister III), digitalisiertes Cembalo (Yamaha Clavinova CLP-470) mit Raumklang

Roses from the South waltz by Strauss

G'schichten aus dem Wienerwald, op. 325 Čeština: Valčík Povídky z Vídeňského lesa Johanna Strausse mladšího. Македонски: Приказни од Виенската Шума (1868) — валцер на Јохан Штраус. Opowieści Lasku Wiedeńskiego – walc autorstwa Johanna Straussa II

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

First zither solo in G'schichten aus dem Wienerwald, op. 325 (Johann Strauss II)

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 27-29 September 1928

Композитор Иоганн Штраус (сын). Вальс "Весенние голоса". Исп.: А.Грюнфельд (фортепиано) (ум. в 1924).

Under the Pyramids, H.P. Lovecraft "It occurred to me that judging from the elaborateness of this worship, the concealed deity must be one of considerable importance. Was it Osiris or Isis, Horus or Anubis, or some vast unknown God of the Dead still more central and supreme?"

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Enosis, Christopher Pearce Cranch "We are spirits clad in veils: Man by man was never seen: All our deep communing fails To remove the shadowy screen."

A Bull of Heaven musical piece.

Masnavi, Jalal al-Din Muhammad Rumi "We all are lions, but lions on a banner: because of the wind they are rushing onward from moment to moment. Their onward rush is visible, and the wind is unseen: may that which is unseen not fail from us!"

A Bull of Heaven musical piece.

Tao Te Ching, Lao-tzu (S. Mitchell translation) Chapter 55 "He who is in harmony with the Tao is like a newborn child. Its bones are soft, its muscles are weak, but its grip is powerful."

To One In Paradise, Edgar Allen Poe "And all my days are trances, And all my nightly dreams Are where thy dark eye glances, And where thy footstep gleams-- In what ethereal dances, By what eternal streams!"

Pt. 1: Footbridge Shifts Pt. 2: Photon Gasification Pt. 3: Lounging, Hiding, Offing

A Bull of Heaven musical piece.

Henry V, William Shakespeare Act III, scene vi "HENRY: I tell thee, herald, I thought upon one pair of English legs Did march three Frenchmen."

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The Gnostic Bible* (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said to them, When you make the two into one, and when you make the inner like the outer and the outer like the inner and the upper like the lower, and when you make male and female into a single one, so that the male will not be male nor the female be female, when you make eyes in place of an eye, a hand in place of a hand, a foot in place of a foot, an image in place of an image, then you will enter the kingdom." The Gospel of Thomas is a Coptic text with many different variations. This version (from the Gnostic Bible) is the most likely source for these two titles, based on what we know of BoH's interest in religion and how exactly the phrases match.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Speech sampled in the piece comes from Peter Brook's 1979 film adaptation of G.I. Gurdjieff's book Meetings with Remarkable Men.

In the Walls of Eryx, H.P. Lovecraft and Kenneth Sterling "Prehistoric human invasions of Venus can be pretty well ruled out, so that one must turn to the idea of native construction. Did a forgotten race of highly evolved beings precede the man-lizards as masters of Venus?"

Household Gods, Aleister Crowley "ALICIA: Yes! in that shadow lurks a smile. See; from that jagged cloud Diana starts Like a deer from the brake; her silver splendour darts Through the crisp air to the grove upon the isle... Do you see her? Do you see her?"

A Bull of Heaven musical piece.